The Japanese House captivates crowds on her 'In the End It Always Does' tour

NASHVILLE, october 8th 2023

From the moment the lights dimmed and the hauntingly beautiful opening chords filled the air, it was clear that this performance would be a journey into the depths of emotion and self-discovery. The stage was bathed in a dreamy, otherworldly light, setting the perfect atmosphere for The Japanese House’s signature brand of introspective, atmospheric pop. 

The show began with the mellow but lively “Sad to Breathe”, as Amber Bain’s electric stage presence energized the crowd. The abrupt “Touching Yourself” had every single person bouncing around and singing to one of the English singer-songwriter’s most well known and beloved songs. 

Het latest album, In the End It Always Does, released in June of this year and suddenly Bain had found herself with a whole new niche of fans. Fans new and old felt a warm welcome to the show, as she would turn on the house lights to interact with the crowd. 

Amber Bain’s vocals were nothing short of captivating. Her voice, simultaneously fragile and powerful, resonated with a raw and emotional intensity that could be felt throughout the venue. “Saw You in a Dream” delivered heavenly vocals, and the room became an indie pop paradise. 

Bain’s musicality was on full display, as her band seamlessly blended elements of electronic and indie pop, creating a lush and immersive sonic landscape. The intricate guitar work, ethereal synths, and tight percussion provided the perfect backdrop for the singer’s vocals, and the musicianship of the entire ensemble was top-notch. Another special touch that hyped up the audience were the multiple saxophone solos throughout the performance. 

“You Seemed So Happy” lifted everyone’s spirits, and there wasn’t a still or silent person in the audience. Bain took a moment to read signs from the audience, and over the most ethereal piano line you could imagine, she said, “you changed my life”, creating an uproar from the audience. Spontaneously, she then sang a raw verse and chorus from “Lilo”, which tore the crowd apart. 

It was unspoken but universally understood that this was one of the most enthralling shows, as I’ve never seen an audience, until now, that barely had their phones out. Genuinely, everyone was there to connect with the music that they love and enjoy themselves. 

Bain really brought the performance home with “Dionne”, a perfect track to close out a remarkable show. However this didn’t stop her from ending the show. The crowd roared for an encore, and we escaped, one last time, in the mythical piano chords of “One for sorrow, two for Joni Jones”. Finally concluding the show was “Sunshine Baby”, which rang continuously throughout the audience as we dispersed into a rainy Nashville. 

The Japanese House is currently on tour.