With no new releases since the top of the decade, Alexandra Savior has made her return to music with new single “Unforgivable.”

The Company Car’s “Sideways” is a comfort song to turn to when you’re turned around.

In an epic debut, Anna Henson brings together grunge, rock and roll, and pop elements, but adds a spicy twist with emotional vocals and rich lyrics.

“Relationships” is the first taste of a forthcoming new album by HAIM.

The indie singer beautifully depicts the trials and tribulations of growing up queer, the loneliness of coming-of-age, and the perils of young love.

Nobody does it like Annie DiRusso. Coming in hot, her debut album Super Pedestrian captures an eclectic journey that showcases her wide range as an artist.

Hannah Wicklund’s Live at the Troubadour is an anthology of songwriting at its most perceptive and empowering.

Sasami’s new album leans into the chaos of romance and sweeping devotion.

With her debut album Roxwell, Matilda Mann proves that sometimes, less is more. This is an album where she sings her heart out, and shows that when done right, that’s all that’s needed to make good music.

hey, nothing reach new highs in their vulnerable storytelling and movingly dynamic performances on their latest EP.

On a quest for whimsy? Rest, weary traveler, for The Croaks’ “Poppy” is here! Huzzah!